The Absence of Madura’s Batik in Men’s Daily Fashion

Abstract

The fashion tradition on the island of Madura is closely tied to the general Javanese dressing culture. Its geographical proximity implies cultural similarities while also showcasing distinctive features that make it unique. Madura is renowned for its hand-drawn batik products. Pamekasan, one of several sub-districts and regencies in Madura, is quite popular for its batik production. The local community has unique customs regarding batik fabric and its usage among both men and women. This research aims to gain an understanding of the cultural background that contributed to the tradition of wearing sarongs in Pamekasan, Madura. The research was conducted using a qualitative descriptive method based on an ethnographic approach. It is common for women to wear batik sarongs as part of the traditional dress in Pamekasan, Madura. On the other hand, men wearing sarongs are also common, but they refrain from wearing batik sarongs. They used to wear geometrical patterns as their favorite sarongs. The absence of batik in the daily sarong tradition of Madurese men becomes an interesting issue according to the government policy in developing local batik industries. In fact, until now there is a specific term for men wearing batik sarongs, and it is still considered inappropriate. Batik, as one of the strengths of local culture, has received counterproductive treatment from its community. The concept of Madurese men's clothing is influenced by a more dominant power that governs it. Foreign influences, whether during the colonial era or afterward, have shaped a distinct and locally characteristic perception. By not adopting the habit of wearing batik as part of their attire, Madurese men have created a certain distance from their local cultural heritage.